"Goodness only knows what he's reserved for," rejoined the widow in a desponding tone; "but if Mynheer Van Galgebrok, whom I met last night at the Cross Shovels, spoke the truth, little Jack will never die in his bed. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. And, though neither peace nor innocence can be restored to my bosom; though tears cannot blot out my offences, nor sorrow drown my shame; yet, knowing that my penitence is sincere, I do not despair that my transgressions may be forgiven. What had she so nearly said? She had almost spoken a name—and quickly withdrawn it. ‘You do not understand, Gérard.
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