“What a beautiful mare’s nest!” she exclaimed. . . “I’m being honest with you. On a pallet in one corner lay a pale emaciated female. The ripple of the water against the boat, as its keel cleaves through the stream—the darkling current hurrying by—the indistinctly-seen craft, of all forms and all sizes, hovering around, and making their way in ghostlike silence, or warning each other of their approach by cries, that, heard from afar, have something doleful in their note—the solemn shadows cast by the bridges—the deeper gloom of the echoing arches—the lights glimmering from the banks—the red reflection thrown upon the waves by a fire kindled on some stationary barge—the tall and fantastic shapes of the houses, as discerned through the obscurity;—these, and other sights and sounds of the same character, give a sombre colour to the thoughts of one who may choose to indulge in meditation at such a time and in such a place. Diane seemed more interested in the prestige of her violin skills than in the more sordid subject of her vampirism. “For one thing, Anna,” she remarked, “we had not the slightest idea that you had left, or were leaving Paris. Chapter XVII THE CHANGE IN “ALCIDE” “By-the-bye,” his neighbour asked him languidly, “who is our hostess?” “Usually known, I believe, as Lady Ferringhall,” Ennison answered, “unless I have mixed up my engagement list and come to the wrong house. The lady had disappeared.
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