Ann Veronica felt no repulsion at the prospect. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. But perhaps if people didn’t like clear, bright, healthy eyes—which is biologically understandable—they couldn’t like precious stones. They are not your flowers. There! You are trying to take your hand away. Only her face was clear, frail and delicate, almost flower-like, with the sad haunting eyes ever watching his. You have to marry me. But heavens, I must pack!” She sprang to her feet and disappeared in the room beyond, from which she emerged a few minutes later with flushed cheeks and dishevelled hair.
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