Without inquiring into the correctness of the latter part of the story, it may be sufficient to state, that Black Mary was a person in whom Jack Sheppard thought he could confide, and, as Edgeworth Bess was incapable of much further exertion, he determined to leave her in the old woman's care till the following night, while he shifted for himself and fulfilled his design—for, however rash or hazardous a project might be, if once conceived, Jack always executed it,—of visiting Jonathan Wild at his house in the Old Bailey. ‘That is very sensible, mon capitaine. She stood up before him, smiling faintly. She thought of them as fools, but had been sorry to see them go. Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. Her roving eagerness was at all times shaded with shyness, reserve, repression. The carpet was a quiet drugget and not excessively worn, and the bed in the corner was covered by a white quilt. “You have been very kind to me,” she said. “It is a great art,” she said in broken English. As we turned the corner of the street, I noticed that the electric light was burning in this room. But what affair is this of yours?’ But Captain Roding was not attending.
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